Hey Boys and Girls, hows it goin'?
Been awhile since yinz all heard from me, n'@. I think it was right around the time when Sir Sidney was skating around with 35 lbs of silver.
So, what's gone down since then?
Welllllllllllllllllllllllllllll...

^_^
No, this is not my month delayed recap of all things wedding. Just wanted to let the few folks that don't share a mutual friends-list with Sarah that we're both now ringed, blinged, and enjoying the matrimony thing.
Anyway, this post is more about musical endeavors and the such as I continue the Bass odyssey I started last January.
I can now play, from start to finish, four songs successfully on the Bass And by successfuly, I mean that I am playing the Bass part of said song and am able to keep time with some success with the original song.
The first song I learned was Ben E. King's "Stand By Me"
Honestly, this was my gimme song. It's only 32 notes stretched across 8 bars and there is no change in key, no change during the bridge, etc. It was a good learning song for timing, rhythm, and rests, though.
The second song I've learned was Otis Reddings "Sitting on the Dock of the Bay"
The hammer-ons at the beginning are still a sore spot with me. I can do 'em, just not particularly well or clear or proficiently. I any case, there's multiple parts to this song to practice and while the riffs are not particularly complicated, it does have an intro (the before mentioned hammer-on section), a main riff, a change-up in the refrain, a bridge section, and outro (more hammer-ons.)
The third song was learned in the last 2 weeks or so. This is Fats Domino's "Blue Monday"
This one was useful in teaching me about a song's key signature (B in this case), and using the major chords of said key. This song is mainly about keeping the order of those chords right, remembering the slight change in order after the first refrain. Also the refrain using a much faster riff comprised of triplets, which is fun, but if you lose count in your head, it can throw the whole timing of the song off.
The main riff in B is B B D# F#. The refrain seven bars comprised of 4 sets of triplets followed by a 8th bar that brings you back down to the root.
So, using roman numerals to indicate the chord, here is the progression of Blue Monday:
I I IV I I I V V I I IV I I V I I (refrain) IV #IV I I IV #IV V V(Back to root for start of next verse) I I IV I I V I I (Bridge) I I IV I I V I I (refrain) IV #IV I I IV #IV V V(Back down to root) I I IV I I V Final note is the root held to end.
Now, mind you, these are not the only songs I know or the only basslines I know. Using the Bass to play Melody instead of rhythm, I can play some standards (Happy Birthday, Star Spangled Banner, Ode to Joy) and I've picked up some bass riffs from assorted songs, but not the entire song. "Day Tripper", "Don't Stop Believin'" "One of These Nights." "Cars" "Godzilla", etc. Just stuff I'm picking up as for a change of pace when my exercises start to get a little monotonous, but too far away from being able to jam with a group playing those songs.
There is a fourth song that I can play from start to finish, but not in the traditional Bass sense. This was a psuedo-original composition put together with the help of my Bass teacher Al.
The song is question is George Harrison's "Something"
However, instead of playing the bass or the traditional guitar part, I created a Bass piece that was an amalgamation of the guitar, vocal, and bass, to create a stand-alone instrumental. I broke down each section with Al and with his help added a bass-bridge and some flourishes (Slides, Pull-offs, etc, arpeggios, etc.) and worked on it over the course of 4 months before the wedding.
I also had my brother secretly transport my Bass to Saxonburg (with amp and stand)and my cousin the DJ camouflage it during the reception, just so I could do this:

and it was worth all of it. It was my first public performance and I wanted the reason for it to be to thank the wonderful woman who not only has helped me finally move forward with that long-ago dream of trying to learn to play music, but to thank her for how incredibly wonderful she has made my life.
Thank you.
Been awhile since yinz all heard from me, n'@. I think it was right around the time when Sir Sidney was skating around with 35 lbs of silver.
So, what's gone down since then?
Welllllllllllllllllllllllllllll...

^_^
No, this is not my month delayed recap of all things wedding. Just wanted to let the few folks that don't share a mutual friends-list with Sarah that we're both now ringed, blinged, and enjoying the matrimony thing.
Anyway, this post is more about musical endeavors and the such as I continue the Bass odyssey I started last January.
I can now play, from start to finish, four songs successfully on the Bass And by successfuly, I mean that I am playing the Bass part of said song and am able to keep time with some success with the original song.
The first song I learned was Ben E. King's "Stand By Me"
Honestly, this was my gimme song. It's only 32 notes stretched across 8 bars and there is no change in key, no change during the bridge, etc. It was a good learning song for timing, rhythm, and rests, though.
The second song I've learned was Otis Reddings "Sitting on the Dock of the Bay"
The hammer-ons at the beginning are still a sore spot with me. I can do 'em, just not particularly well or clear or proficiently. I any case, there's multiple parts to this song to practice and while the riffs are not particularly complicated, it does have an intro (the before mentioned hammer-on section), a main riff, a change-up in the refrain, a bridge section, and outro (more hammer-ons.)
The third song was learned in the last 2 weeks or so. This is Fats Domino's "Blue Monday"
This one was useful in teaching me about a song's key signature (B in this case), and using the major chords of said key. This song is mainly about keeping the order of those chords right, remembering the slight change in order after the first refrain. Also the refrain using a much faster riff comprised of triplets, which is fun, but if you lose count in your head, it can throw the whole timing of the song off.
The main riff in B is B B D# F#. The refrain seven bars comprised of 4 sets of triplets followed by a 8th bar that brings you back down to the root.
So, using roman numerals to indicate the chord, here is the progression of Blue Monday:
I I IV I I I V V I I IV I I V I I (refrain) IV #IV I I IV #IV V V(Back to root for start of next verse) I I IV I I V I I (Bridge) I I IV I I V I I (refrain) IV #IV I I IV #IV V V(Back down to root) I I IV I I V Final note is the root held to end.
Now, mind you, these are not the only songs I know or the only basslines I know. Using the Bass to play Melody instead of rhythm, I can play some standards (Happy Birthday, Star Spangled Banner, Ode to Joy) and I've picked up some bass riffs from assorted songs, but not the entire song. "Day Tripper", "Don't Stop Believin'" "One of These Nights." "Cars" "Godzilla", etc. Just stuff I'm picking up as for a change of pace when my exercises start to get a little monotonous, but too far away from being able to jam with a group playing those songs.
There is a fourth song that I can play from start to finish, but not in the traditional Bass sense. This was a psuedo-original composition put together with the help of my Bass teacher Al.
The song is question is George Harrison's "Something"
However, instead of playing the bass or the traditional guitar part, I created a Bass piece that was an amalgamation of the guitar, vocal, and bass, to create a stand-alone instrumental. I broke down each section with Al and with his help added a bass-bridge and some flourishes (Slides, Pull-offs, etc, arpeggios, etc.) and worked on it over the course of 4 months before the wedding.
I also had my brother secretly transport my Bass to Saxonburg (with amp and stand)and my cousin the DJ camouflage it during the reception, just so I could do this:

and it was worth all of it. It was my first public performance and I wanted the reason for it to be to thank the wonderful woman who not only has helped me finally move forward with that long-ago dream of trying to learn to play music, but to thank her for how incredibly wonderful she has made my life.
Thank you.
My inner soul is :
happy
Background Noise: The Beatles - "Something"
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